Onto the work:
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20"x30"
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22"x30"
It might be a little harder to read this, but because I end up soaking areas of the painting, and collage heavily in areas, the paper that I'm working on could end up warping a lot. But I want to maintain the deckled edge that Arches worked so hard on, and if I were to stretch the paper with staples or gummed tape, it would mess with the integrity of those edges. So what I've come up with is to soak the paper, squeegee it onto a sheet of MDF or thick acrylic plastic, and then when it's still wet, clamp wood strips around the edges. When the paper dries, it still stretches, and it keeps the deckles looking awesome. Long explanation for something that, when you see it framed, speaks for itself.
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16"x24"
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32"x48"
This is just the background of the painting that will be taking up the majority of my April. Something you can see in a lot of these shots is tracing paper hanging off the top. The sketches that I work from are on these sheets, and obviously if I tried photograph this painting with the sketch on tracing paper over the top, it wouldn't read right.
16"x24"
I don't have photos of the other newer paintings, mostly because they're harder too shoot, or haven't changed much over the month. I'm going to try to update more in the next few weeks.
Also, I'm now a featured artist on Gawker Artists. Check it out:
Gawker Artists